<rss version="2.0"><channel><title>&amp;#50668;&amp;#44032;&amp;#54532;&amp;#47196;&amp;#44536;&amp;#46988; Venezia</title><link>http://www.2pl.com/Venezia/ps-1122001237.htm</link><description>Schedule of Events -  - Venezia</description><ttl>60</ttl><item><title>Museo d'ambiente (08.01.2007-08.01.2009)</title><link>http://www.2pl.com/Venezia/px-11220pppp000jgi.htm</link><description>...Il museo Querini Stampalia mantiene, pur nella necessaria attualità degli impianti, il carattere di casa-museo, dove le opere esposte immettono il visitatore in una tipica scena di fasto settecentesco.    Stanze raffinate, decorate a tenui colori pastello, soffitti dai leggeri stucchi, specchi e boiseries alle pareti ingentiliscono l'occhio di chi osserva in modo curioso i dipinti, gli arredi del Settecento e neoclassici, i lampadari di Murano, le stoffe tessute su antichi disegni, gli arazzi, le porcellane di Meissen, Vezzi, Sèvres, Cozzi, le sculture di Orazio Marinali, Antonio Canova, i globi di Willem Blaue e Gilles-Robert de' Vaugondy.</description><author /><pubDate>Mon, 08 Jan 2007 13:54:00 GMT</pubDate><category>&amp;#48149;&amp;#46988;&amp;#54924;&amp;#46308;/&amp;#51204;&amp;#49884;&amp;#54924;&amp;#46308;</category></item><item><title>Veneziana Painting (08.01.2007-08.01.2009)</title><link>http://www.2pl.com/Venezia/px-11220pppp000l4g.htm</link><description>Nella sala sono esposti una serie di piccoli dipinti del Quattrocento, provenienti in larga parte dalla collezione Franchetti, che seguono in senso cronologico lo sviluppo della pittura veneziana di questo secolo, dalla Madonna col Bambino di Giambono, ancora intrisa di elementi tardogotici, a quelle di Lazzaro Bastiani o Bartolomeo Vivarini, opere ormai di pieno Rinascimento. Si tratta di tele e tavole di piccolo formato, destinate alla devozione privata, nelle quali in genere prevale la raffigurazione della Madonna col Bambino.</description><author /><pubDate>Mon, 08 Jan 2007 14:00:00 GMT</pubDate><category>&amp;#48149;&amp;#46988;&amp;#54924;&amp;#46308;/&amp;#51204;&amp;#49884;&amp;#54924;&amp;#46308;</category></item><item><title>Light (08.01.2007-08.01.2009)</title><link>http://www.2pl.com/Venezia/px-11220pppp000jj8.htm</link><description>The main driving force and real heart of Fortuny's work is light: perfectly identified with the creation of the celebrated theatre dome. The same light is found in his assiduous chromatic studies, in his dying of textiles, his shot fabrics and, consequently, in many objects designed for furnishing. A notable example is the large ivory, silk gauze curtain, printed in black with oriental motifs, all played out on the transparency of the silky material and on the graphic contrast of the design which increases and expands light throughout the entire space.</description><author /><pubDate>Mon, 08 Jan 2007 14:02:00 GMT</pubDate><category>&amp;#48149;&amp;#46988;&amp;#54924;&amp;#46308;/&amp;#51204;&amp;#49884;&amp;#54924;&amp;#46308;</category></item><item><title>Picture-Gallery Portego (08.01.2007-08.01.2009)</title><link>http://www.2pl.com/Venezia/px-11220pppp000jgm.htm</link><description>The second-floor Portego acts as the traditional Venetian "quadreria" (picture-gallery), containing the most important paintings of the museum.&lt;br&gt;The tour follows a clockwise direction, from the left of the entrance. The first painting is an imaginary view by Luca Carlevarijs, dating from the early years of the eighteenth century, rich in scenographic effects and Roman features. Next to it there is an Architectural Caprice, an autograph replica of the one that Canaletto donated to the Venetian Academy of Painting and Sculpture in 1765.</description><author /><pubDate>Mon, 08 Jan 2007 14:05:00 GMT</pubDate><category>&amp;#48149;&amp;#46988;&amp;#54924;&amp;#46308;/&amp;#51204;&amp;#49884;&amp;#54924;&amp;#46308;</category></item></channel></rss>